Cirina Catania: First Look: The Berlin Film Festival

Screen Shot 2016-02-06 at 5.04.28 AM Listen to the interview here.
(Berlin, Germany, Feb 2, 2016) The 66th Berlin International Film Festival is about to start and Cirina Catania is already musing about it on the BuZZ. How do you pick what you want to see when over 400 films from more than 95 countries are being screened in numerous categories. And do you choose between the Creativity of film or the Commerce of film? Both are here in force.

This year, as in years past, she has chosen to cover the main competition films and will be screening an average of 3 per day during the Berlinale. What will win her over? Ah, that remains to be seen. She and her other friends in the press who are here will undoubtedly be debating that subject over lunches and dinners. The winner is always a surprise.

But the one constant is that everyone goes away inspired.

Over at the EFM, more than 400 companies are buying/selling/screening their movies, including 77 documentaries.

The “Bear is loose!” Follow Cirina as she navigates one of the world’s most prestigious film festivals, the “66th Internationale Filfestspiele Berlin” (Berlin Internatinonal Film Festival) opening Feb 11 and running until Feb 21.

Cirina Catania is the supervising producer of The Buzz, as well as a filmmaker, journalist, and former senior executive with United Artists and MGM. She is also one of the founders of the Sundance Film […]

Source: Cirina Catania: First Look: The Berlin Film Festival

(Larry Jordan, EP/Host, The Digital Production BuZZ)

CES 2016, The iPadPro w/Tripod Mount & All My Tech Favs!

Unboxing the iShot Pro 12.9" Tripod Mount for the iPad Pro

Unboxing the iShot Pro 12.9″ Tripod Mount for the iPad Pro

Here’s the bottom line on the iShot G7 Mount For 12.9″ iPad Pro for those of you who don’t have time to read:
It works, but it needs some improvement, as it is a bit wobbly. However, how can you complain if it DOES work and it only costs $45, and at last glance there was nothing else out there. You can find it on Amazon

For those of you, who have nothing better to do than to read my ramblings, here’s the full story.

Ok, if you know me, you know I’m a gadget geek just like you! When the new iPad Pro came out, I was in the Sherman Oaks Apple Store looking at the new iMac and had no intention of buying anything else (for obvious reasons – this stuff gets expensive, right?)

But, there it was, sitting quietly in the entrance to the room. Too much tech for most of the holiday visitors, but calling to me like a siren on storm-bashed rocks. It was magnetic. I was pulled over and within seconds heard myself saying, “I’ll take that too.” OMG. Now what?

Happy to say, I fell in love at first encounter. Unboxed it and immediately knew – this was my fate. I was addicted. I could use this to watch my favorite movies on Netflix! (Did I really just say that on a tech blog?) Yep. But, seriously, and more importantly, I wanted to give it a try for my field production and mobile journalism. No, it will never replace professional cameras and lenses for most of my work, but there would surely be uses for it that we might not have thought of.

A few days later, I was at the Digital Cinema Society enjoying the event hosted by James Mathers. I was interviewing some of the execs and creatives and decided to wander the room with my camera op (William LaChasse and host Suzanne LaChasse – yes, she’s second generation Hollywood). We had set up an interview room in the theater upstairs, lit beautifully so the Black Magic 4K could shine. But what about downstairs on the main floor where the vendors were showing their wares and people were milling around.

The iShot and iPad Pro mounted on the tripod

The iShot and iPad Pro mounted on the tripod


Out came the iPad Pro, tethered to a Shure SM58 (which, by the way, turns 50 this year!) via an IK Multimedia iRig PRO Audio/MIDI Interface. Here’s one of the videos starring Film Vault’s very own Suzanne with Blackmagic’s Fred Beahm.

A month later I found myself at CES and used the same setup for all my coverage. Frankly, I looked at some of the other crews trudging through an event with 160,000 other humans all crowded into the narrow spaces between booths carrying heavy “broadcast” cameras with sound carts trailing … not a pretty site.

The iShot and iPad Pro mounted on the tripod

The iShot and iPad Pro mounted on the tripod

Rubber wrapped grips on the iShot

Rubber wrapped grips on the iShot


There I was happily strolling on the hunt for great tech with my “rig.”
There are a few GoPro imitators, some at the show and some on Kickstarter – I’ve already invested in one incarnation of those but my feeling is why rock the boat if it is already being navigated by a great pilot.

However, there was ONE small rig that caught my eye over in the drone section..it is called OSMO. For just over $600 you have a stabilized small 4K camera with a hand grip that can take automatic 360 degree panoramas, do time-lapse, and allow you to take long exposures because it has a built in gyro – and you can clip your smartphone to it and use the phone as a monitor – very cool

the DJI Osmo

the DJI Osmo


Fun note:::::The G-Tech Ev line is now protected by bumpers similar to the LaCie Ruggeds’ that we have been using – I want to get up close and personal with those for my field shoots!

Two audio solutions from Sennheiser blew me away.
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One is the Ambeo 3D virtual reality ambisonic microphone with four capsules that allows us to capture an entire field of sound with one microphone- it works with 360 degree cameras and delivers some amazing results – why have VR if you don’t have great VR sound to go with it?
Click HERE for the video.

The Second was the tiny Clip Mic Digital (from Apogee and Sennheiser) that is connected to your device via lighting cable and has a free app to go with it that allows you to monitor your levels, rumble, hiss and has a built-in pre amp that avoids drop-outs in the signal. I used it to record the interview about it and was really impressed. My problem with most small digital lavs is they aren’t able to give us enough volume, and of course, they don’t have a lightning connector!

Everywhere you looked there were Occulus rift glasses, Google cardboard compatible products, but there was a very interesting high-end VR glass from Zeiss VR 1 that lets us experience and control your virtual reality using your smartphone – great for gaming and it also controls your drone (compatible with several models of the DJI Phantom

Zeiss also has a new optical system for data glasses (it is 4 minutes into this clip) that look like regular glasses and allow you to view your augmented reality and app projections in front of your eye rather than being projected into the eye.

Drones seemed to be everywhere, as well as robots, so I voted for robots because they are more fun.

Meccano was there in force (they are huge, I grew up with them) but there was another company called Makeblock that sells DIY kits for kids ranging from $75 on up – it’s compatible with Lego parts and uses a free graphic program that helps to teach kids how to make robots
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For gaming – my favorite pick has to be Virtuix’s Omni – truly the next generation with a full physical experience of the environment. Jump into the individual ring, on to the treadmill, grab your weapon of choice and get a workout while you crush the bad guys!

For the fashion/tech side of me, I have to say great things about the gorgeous leather tech bags at Lepow and the stylish chargers that I’ve become addicted to? Umm…kids, my birthday is coming up! (hint)

My very favorite gadget was the Brew Genie that let’s you start brewing your coffee from you bed using your iPhone or iPad. Can you say, princess?

You can go to FilmVault.biz for a link to more videos on my new YouTube Channel. I promise I’ll update the site more often – you can also go to TheCataniaGroup.com for information on the films I’m working on.

Future of Branded Content Lies With In-House Media Hubs

Written by: Gideon Marken

Chivas Regal hired The Catania Group, via their ad agency and Microsoft, to direct/produce a series of 38 webisodes to promote their brand on the Web as far back as 2008. Some say it may be the first endeavor of this kind.

Chivas Regal hired The Catania Group, via their ad agency and Microsoft, to direct/produce a series of 38 webisodes to promote their brand on the Web as far back as 2008. Some say it may be the first endeavor of this kind.

What do a hotel, an energy drink, and a creative computer software have in common? The answer lies in their content marketing strategy.

RedBull. The Marriott. Adobe. While these three brands are seemingly unrelated to one another, they all share a common thread: they all own a media hub that produces engaging content.

Marketing and media have become closely intertwined over the years as brands turn to native advertising and influencer marketing to spread the word. With a focus on storytelling, marketers need to create a compelling but educational message that naturally captivates audiences rather than bore them to death. In a world where we’re constantly bombarded with advertisements and brand promotions, only relevant narratives that audiences can relate to will see the most success. The most effective messages are the ones that feel like they’re coming from our peers rather than a corporate entity.

Take Adobe for example. Best known as a creative computer software company that helps people create, deliver and optimize content, Adobe actually owns CMO.com, a site that delivers news, insight and expertise for marketing leaders. In fact, it’s “so objective, it’s hard to tell that it is an Adobe property,” says Ann Lewnes, the CMO of Adobe. Individuals looking for marketing expertise trust the site because it curates content from thought leaders across the industry and doesn’t feel like you’re reading an Adobe webpage. Rather, people looking for expertise on multiple marketing topics can pick from a library of articles written by top industry leaders who share their advice in the form of text.

Another popular form of brand messaging comes in the form of videos. “Video is highly engaging and entertaining,” remarks Lewnes. “As marketers, you need to think about how many ways I can reuse videos I produce.” That’s exactly what Red Bull was looking to capitalize upon when they launched their Red Bull TV service, featuring programming from live global events and sports, music and lifestyle entertainment. It’s free for viewers to watch and promotes Red Bull as an action-packed, extreme product that delivers awesome content on any mobile device. Similarly, Marriott’s creative agency seeks to establish itself as the go-to publishing brand for the travel industry, with an entire division dedicated to building video content

For some, editorial integrity is a huge challenge. “We have tools to understand what is working and what is not,” says Lewnes. “So it’s a shame if you can’t figure out what your audience cares about.” Simply producing content for the sake of producing won’t get your brand very far. Creating a story for your brand is great but unless it’s relevant to your audience it might not accomplish the goals you set for yourself. The content you produce should educate, engage and entertain; it should target your audience’s needs and, most importantly, your target market shouldn’t feel the need to skip past or ignore your content.

Brands have become wiser over the years, understanding that in order to engage with their audience efficiently means staying ahead of digital trends. As media and marketing continue to intersect, we see the lines blurring between what constitutes as brand storytelling and brand messaging. An Instagram photo you like could be part of a fashion brand’s social influencer marketing campaign. Record companies might hire popular figures on social media to cover music festivals via Snapchat or Vine. The most persuasive and effective messages are stories that connect brands to their target market on the digital platforms that are most popular within that demographic.

This new in-house approach for many brands is in part due to the demand for more content and long-term interactive campaigns. Instead of hiring a third-party to consult and create marketing materials for them, brands are using the tools and data available to them to produce content that they know their audience will engage with. As consumers increasingly are able to distinguish branded messages from content created by their peers, brands need to alter their tune to stay relevant to their customers and to avoid ignored.

Kionte Storey, Wounded Marine Corporal – The Film

KionetWe are making a film about Kionte Storey, a Wounded Marine Corporal who lost a leg in Afghanistan but who now trains every day in hopes of gaining a spot on the International Paralympic Team. Kionte’s message is a powerful, inspirational and hopeful one. He travels frequently to visit with other wounded veterans and the families who are dealing with the effects of trauma, PTSD, depression and suicidal thoughts.

Yes, I want to help!

Principal photography is almost completed and we are ready to go into post production. Here’s a link to the Kionte Storey Film Facebook page.

Two things are important. First, Please share this link far and wide so we can link together and spread the word.

Secondly, help us finish this film by donating any amount that is comfortable and affordable to you. Even $5 can make a difference!

Let’s make this movie together!

Thank you!
Kionte Kojo on track_Screen Shot 2014-05-31 at 7.38.38 PM copy

How to Submit to Writing Programs at the Networks and Studios

Writer/Journalist Ken Choy is an expert on submitting scripts to networks and studios.

Writer/Journalist Ken Choy is an expert on submitting scripts to networks and studios.

Ken Choy, writer and journalist, details the process involved in submitting your script to the writing programs at networks and studios.  You’ll want to hear his tips and tricks for outpacing the pack! (The interview runs just under 20 minutes – enjoy!)

Interview with Ken Choy

Journalist and TV writer Ken Choy’s blog GizmoPorn–“Porn for Gizmos, not Gizmos for Porn”–covers tech and includes the gamut from entertainment to food to automobiles..Ken moderates the Disney-ABC Talent Development panels at Wondercon and Comic-Con.He’s currently developing a sci-fi IP, The Millionth that has a 360 approach covering script, comic book, video games, and strategies for licensing, social media, and product placement.

Find out more at Gizmo Porn or Wide Lantern

 

Berlin Film Review: “Nobody Wants the Night,” starring Juliette Binoche from Director Isabel Coixet

Juliette Binoche stars as the explorer Josephine Peary in "Nobody Wants the Night," the opening film of the 65th Berlinale, Feb 2015. Photo:  Leandro Betancor

Juliette Binoche stars as the explorer Josephine Peary in “Nobody Wants the Night,” the opening film of the 65th Berlinale, Feb 2015. Photo: Leandro Betancor

“Nobody Wants the Night,” (“Nadie Quiere La Noche”) starring Juliette Binoche as Josephine Peary, Rinko Kikuchi as Allaka and Gabriel Byrne as Bram from one of the Berlinale’s darling directors, Isabel Coixet, should be a mesmerizing, engaging big-vista adventure. Although the film is beautifully shot against breathtaking vistas, features some of this generation’s finest actors, a classical music score and is ambitiously directed by Croixet, we are left for much of it as cold and as lonely as the characters whose tales are being told.

220px-Josephine_Peary_portrait_1892In real life, Josephine Peary was married to Naval Officer Robert Peary, an arctic adventurer who spent many years trying to conquer the route to the North Pole. He succeeded in 1909, although whether or not he was the “first” is a matter of debate. Josephine was an explorer in her own right, an alpha female in an age that favored males. She had the heart of a lion and the stamina to match. Nothing would stop her from pursuing her dreams and Binoche might possibly be the only actress in existence today who could portray the combination of beauty and courageousness that was Josephine.

The film is set in 1908 Greenland, as Josephine decides she wants to join her husband in the field so she can be there if he is able to make it to the North Pole. Despite stern warnings from everyone around her, she takes off into the freezing winter in search of Robert. Lives are lost, tragedy is unleashed and mysteries are broken open wielding insufferable emotional wounds that will not be easily healed.

Bram (played by Gabriel Byrne) warns Josephine (Juliette Binoche) not to travel towards the North Pole in the middle of Winter. From "Nobody Wants the Night," opening the 65th Berlinale, Feb 2015.

Bram (played by Gabriel Byrne) warns Josephine (Juliette Binoche) not to travel towards the North Pole in the middle of Winter. From “Nobody Wants the Night,” opening the 65th Berlinale, Feb 2015.

I was distracted away from the experience by the lack of believability, so much so that I kept wondering, for example, why on earth someone like Josephine, as though starring in a L’Oreal commercial, would ever wear a silly Dr-Zhivago-style hat and petticoats, ears uncovered, on freezing dog sleds navigating sub-zero biting cold weather and relentless snow. In fact, during the press conference, it was revealed that much of the film was shot indoors on a hot stage and Binoche had to have a freezer brought in so she walk go into it and recreate the feeling of being cold before her scenes unfurled. That explains some of it.

Norway was as politically and creatively inhospitable as the freezing terrain if we are to believe Croixet, who still seems angry over the unprofessional manner in which the cast and crew were treated. So much so, that when asked if she would ever work in Norway again, she said “No” without hesitation. So without the complete back-story of how this all came about, we’ll be kind and not speak so ill of the final results. Frankly, it was a monstrous challenge and for the most part, succeeded, albeit not as well as many in the audience would have liked.

Press conference for "Nobody Wants the Night: fr Director Isabel Coixet.  (l to r) Rinko Kikuchi, director isabel Coixet, Gabriel Byrne, Juliette Binoche and moderator at the 65th Berlinale, February 2105.

Press conference for “Nobody Wants the Night: fr Director Isabel Coixet. (l to r) Rinko Kikuchi, director isabel Coixet, Gabriel Byrne, Juliette Binoche and moderator at the 65th Berlinale, February 2105.

The first half of the movie unravels slowly in an atmosphere of opulence transferred rather inappropriately to the wilds of Greenland. Candlelit dinners with food and drink befitting royalty are served in a setting worthy of any big-budget period film. Wardrobe that looks like it comes from a Parisian version of the elite in Les Miserables abounds. Conversation flows slowly and I wasn’t the only one in the audience fighting my sleep.

Rinko Kikuchi as the Inuit woman, Allaka, stars opposite Juliette Binoche (as Josephine Peary) in "Nobody Wants the Night" from director Isabel Coixet.  The film opened the 65th Berlinale in 2015.

Rinko Kikuchi as the Inuit woman, Allaka, stars opposite Juliette Binoche (as Josephine Peary) in “Nobody Wants the Night” from director Isabel Coixet.The film opened the 65th Berlinale in 2015. Photo Cirina Catania.

Then, thankfully and with no warning, a second heroine appears in the form of the Inuit woman, Allaka (played by Kikuchi), whose character is unable to speak much English, but who manages to upstage everyone in the film, including the ever-beautiful and talented Binoche.

Rinko Kikuchi as Allaka, an Inuit woman in "Nobody Wants the Night."

Rinko Kikuchi as Allaka, an Inuit woman in “Nobody Wants the Night.”

Juliette Binoche as Josephine and Rinko Kikuchi as Allaka in "Nobody Wants the Night."  Premiered at the 65th Berlinale, Feb 2015.

Juliette Binoche as Josephine and Rinko Kikuchi as Allaka in “Nobody Wants the Night.” Premiered at the 65th Berlinale, Feb 2015.

It is within this last half of the film that a dark secret is revealed and we watch Josephine, her heart ripped in two, transforming from black anger to love and admiration as the two women are pitted against the elements, their shared history and one-another.

Whether you love the film or not, one must applaud Coixet and the cast/crew for tackling such a huge-scale project and wish them well in their next endeavors.

 

 

NOBODY WANTS THE NIGHT (English)
118 Min. / DCP, 2K / Colour

DIRECTOR ISABEL COIXET
PRODUCERS ANDRÉS SANTANA, JAUME ROURES
CO-PRODUCERS ANTONIA NAVA, JEROME VIDAL, ARIEL ILIEFF, DIMITAR GOCHEV
EXECUTIVE PRODUCERS ANDRÉS SANTANA, ANTONIA NAVA, JAVIER MÉNDEZ
WRITTEN BY MIGUEL BARROS
CINEMATOGRAPHER JEAN CLAUDE LARRIEU (AFC)
PRODUCTION DESIGNER ALAIN BAINÉE
ORIGINAL MUSIC LUCAS VIDAL
EDITOR ELENA RUIZ
LINE PRODUCERS ANDRÉS SANTANA, MARTA MIRÓ
COSTUME DESIGNER CLARA BILBAO
MAKEUP ARTIST SYLVIE IMBERT
HAIR STYLIST PACO RODRIGUEZ H.
SOUND RECORDIST ALBERT GAY
SOUND DESIGN ENRIQUE G. BERMEJO
SOUND MIXER DANIEL SAIZ
DIGITAL EFFECTS BERNAT ARAGONÉS
COLOR GRADING PEPÍN
SPECIAL MAKE-UP PABLO PERONA
INTERNATIONAL CASTING MONIKA MIKKELSEN

CAST:
Josephine JULIETTE BINOCHE
Allaka RINKO KIKUCHI
Bram GABRIEL BYRNE
Ninq ORTO IGNATIUSSEN
Spaldinq MATT SALINGER
Frand Nashtel BEN TEMPLE
Lucius REED BRODY
Odaq ALBERTO JO LEE
Henson CLARENCE SMITH
Fyodor VELIZAR VINEV
Njal CIRO MIRÓ
Inuit Woman 1 GAZ ZAA LUNG (LISA QAAVIGAQ)
Inuit Woman 2 SORINE KIRSTINE EUNIKE PETERSEN
Inuit Woman 3 PANINNGUAQ SOFIA IGNATIUSSEN
Erneraq RAÚL JUEGA GONZÁLEZ
DIEGO JUEGA GONZÁLEZ
MATEO DURO LÓPEZ
Narrator CLARENCE SMITH

Filmed in Norway, Bulgaria and Spain.

The Picture

Supermeet friends:  Rick Young, Michael Horton, Gregory Clarke, Philip Hodgetts,   Dan Berube, Peter Wiggins, Katie Berube, Dean Cleary

Supermeet friends: Rick Young, Michael Horton, Gregory Clarke, Philip Hodgetts, Dan Berube, Peter Wiggins, Katie Berube, Dean Cleary

(Amsterdam, Sept 12, 2014)
It’s just another lifestyle photo of a group of friends posted immediately on Facebook, sent out via Twitter and filed away in the “Memories of IBC 2014” digital folder.

Not really.

The collective psyche of these friends moves tech mountains on a daily basis. They are part of the bright and inspirational underpinning of all the small and large moving parts that together make up a whole moving part when combined with other moving parts … well, you get the drift.

Here, in what appears to be a simple social media moment, they are gathered in anticipation of the 7th Annual Supermeet in Amsterdam, having Italian food, tipping a glass here and there, laughing too loudly for the other tables and generally spreading cheer, all whilst diving into analysis of the latest metadata solutions, codecs, design challenges, developer challenges, editorial deadlines and dreadful deeds, corporate failings and successes, predictions for the future, 1 and 0’s, and, well, some things that I just don’t and most likely will never understand!

Dinner in Amsterdam with Gregory Clarke, Philip Hodgetts, Cirina Catania and Peter Wiggins

Dinner in Amsterdam with Gregory Clarke, Philip Hodgetts, Cirina Catania and Peter Wiggins

For those who are unfamiliar with The Supermeet, I will try to explain it to you. It is part fraternity/sorority party, part B2B cocktail meet and greet, part exploration of space and time continuum as it applies to the world of content and all the moving parts that support it, part creative inspiration untapped and…all heart brought to you by Michael Horton and Dan Berube. It is a raucous gathering of the Creative Pro User Group.

If you have never experienced it, you must. And once you do, you will become part of the family and this is one reunion you will not want to miss.

In Amsterdam, the Supermeet is 500 of your closest or soon to be closest friends gathered together over a 5-6 hour period to share information, watch exclusive presentations of new “stuff” from top companies like Adobe, Blackmagic, iZotope, Atomos, HP and demonstrations from the likes of editors Maryann Brandon, ACE and Mary Jo Markey, ACE (ripped from their editorial suites as they worked on Star Wars: Episode VII), Giles Lively presenting on Davinci Resolve for Blackmagic, Al Mooney livening up the crowd with his effervescent Premiere Pro announcements, filmmaker Hasraf Dulul with behind the scenes stories of his new film, “Sync,” Mike Thornton rescuing our audio dirty deeds, Jeromy Young with Shogun 4K monitor-recorder tales, and the folks at HP, Carlo Ruiz and those using HP Workstations to create passionate products: Patrick Drake and Kylie Flavell.

You are just now beginning to understand why this evening lasts, well, all evening!

Before you even get to the presentations, there are twenty companies outside the theater, each with a unique story to tell, a new product to introduce or software that will intimately prove indispensable to our working lives. The list of attendees is a surprise each year, but I do know of two of them because I am personally and most proudly involved: The Lumberjack System from Philip Hodgetts and Gregory Clarke, PhD, a powerfully easy tool for cloud-based on-set logging (yes, even when you’re offline) and Other World Computing (OWC) started almost thirty years ago by yet another techie genius friend, Larry O’Connor, and represented in Amsterdam by Rick Van Dyne.

And this brings us back to those friends moving tech mountains and that picture.

Bottom line: I can’t believe that I am so lucky to be able to be in the same room as these people who build the foundations that enable me to do the work that I love so much.

Without their genius, my wild and often unbridled creativity would most likely be limited to … well, what? I’d have to make my own tools, and I don’t know how to do that. I couldn’t create Final Cut Pro, or Adobe Photoshop. I’d be hiring PA’s to log on paper during our shoots instead of on an iPad and instantly creating keyword ranges. I’d have no way to shoot, no way to record sound, no way to transport my files over the pipeline. My images would not be color graded and I’d have to go back to writing my own music…um, you don’t want to know about that.

And I certainly wouldn’t be in Amsterdam with my friends telling stories and tipping a glass to happiness.

So, the next time you post a picture of your friends on social media, think about how lucky you are and stop for a moment to say thanks. I just did. Cheers!

COMIC-CON 2014: Masters of the Universe Art Book from Dark Horse is the First Ever Published Officially

AOTMUCVR.202514(July 25, 2014, Comic-Con, San Diego, CA) Dark Horse and Mattel today announced that they will be releasing the first-ever official art book for Masters of the Universe: The Art of He-Man and the Masters of the Universe!

In 1982, the world was introduced to He-Man® and Masters of the Universe®. Made in close cooperation with Mattel and He-Man® historians, The Art of He-Man and the Masters of the Universe collects over 30 years of behind-the-scenes material, lore, and classic imagery.

Mattel and Dark Horse in this comprehensive retrospective chronicling the decades-long epic journey of He-Man® from toy, to television, to film, to a true pop culture phenomenon!

The Art of He-Man and the Masters of the Universe includes rarely seen images of concept sketches, prototypes, and more from Mattel’s archives. Featuring beautifully restored art from master illustrator Earl Norem—celebrated artist of the most memorable He-Man® images!

The Art of He-Man and the Masters of the Universe is scheduled to arrive in comic shops on April 1, 2015 and in bookstores April 14, 2015. Copies may be pre-ordered here.
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ABOUT DARK HORSE:
Founded in 1986 by Mike Richardson, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. The company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent, such as Frank Miller, Mike Mignola, Neil Gaiman, Brian Wood, Gerard Way, Felicia Day, and Guillermo del Toro, and comics legends, uch as Will Eisner, Neal Adams, and Jim Steranko, Dark Horse has developed its own successful properties, such as The Mask, Ghost, Timecop, and SpyBoy. Its successful line of comics and products based on popular properties includes Star Wars, Mass Effect, Buffy the Vampire Slayer, Aliens, Conan, EVE Online, Halo, Serenity, Game of Thrones, and Domo. Today Dark Horse Comics is the largest independent comic book publisher in the US and is recognized as one of the world’s leading publishers of both creator-owned content and licensed comics material.

HE-MAN, MASTERS OF THE UNIVERSE and associated trademarks and copyrights are owned by, and used under license from Mattel.

Comic-Con 2014: Grimm Fairy Tales is 100th Issue for Zenescope Entertainment

(July 25, 2014, Comic-Con, San Diego) Zenescope Entertainment, started in a garage by two Philly guys in 2005, has grown into a Top 10 Publisher with myriad fairy tales, horror, and fantasy titles plus working relationships with the biggest writers and artists in the business.Logo_Zenescope

“It’s hard for me to believe we are getting ready to publish our 100th issue of Grimm Fairy Tales. It seems like not that long ago we publishing issue #1 and then trying to figure out how we were going to find enough fairy tales to make it to issue #25. It’s been a blast writing and planning the series and seeing how it has evolved over the last eight years. As excited as I am to be publishing issue #100, I’m even more excited for the direction the series is going to take in #101. It’s going to be a great jumping on point for new readers and I think current fans are going to love it even more. The best way I can describe it is Harry Potter meets Buffy the Vampire Slayer.” (Joe Brusha, Zenescope co-founder and co-writer of GFT #100)

“The fact that we’ve hit an issue #100 is such a great feeling and it proves that we have a dedicated and loyal fan base. We’re looking forward to really blowing readers away with both the artwork and story.” (Ralph Tedesco, Zenescope co-founder and co-writer of GFT #100)

It all began with Sela Mathers, the Guardian of the Nexus, a woman tasked with teaching misguided humans right from wrong. But Sela’s struggles, her ups and downs, and the effects of those she’s helped and those she’s lost to darkness will all culminate in this epic 100th issue! Sela will take on the biggest threat she’s ever faced as the Dark Queen looks to plunge the Grimm Universe into an Age of Darkness.
Grimm 100 Cover Art

CREDITS:
Story by Joe Brusha, Ralph Tedesco, and Anthony Spay
Written by Joe Brusha and Ralph Tedesco
Artwork by Anthony Spay
Colors by Ivan Nunes
Letters by Jim Campbell
Edited by Nicole Glade
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ABOUT ZENESCOPE ENTERTAINMENT:
Zenescope Entertainment was founded by Joe Brusha and Ralph Tedesco in 2005, and has quickly grown into one of the top comic book and graphic novel publishing companies in the world. Zenescope’s Grimm Fairy Tales and subsequent spinoff series such as Oz, Wonderland, Neverland and Robyn Hood, which re-imagine classic fables, are some of the best-selling and longest-running original independent comic books on shelves today. Zenescope publishes and develops both original and licensed material and has worked with dozens of clients that include Discovery Channel, History Channel, CBS, Lionsgate TV, Mandalay Vision, New Line Cinema, Titmouse Studios and many others.